"Pinocchio", de J. Pommerat et Ph. Boesmans (208-2017) : être, devenir

Cécile Auzolle (1)

1 CRIHAM [Poitiers] - Centre de recherches interdisciplinaires en histoire, histoire de l'art et musicologie [EA 4270]

Joël Pommerat’s play Pinocchio (Paris, 2008) is inspired by Collodi’s and Commencini‘s works. Then, Pommerat adapted it into opera with Philippe Boesmans (Aix-en-Provence, 2017). In this theatrical combination, could Pinocchio’s adventures reflect the artistic progress, from initiation to masterpieces, through lies and disobedience, in search of truth?

Mots clés: Opera; theatre; Joël Pommerat; Philippe Boesmans; initiation

Domaines: Musique, musicologie et arts de la scène

Cécile Auzolle. "Pinocchio", de J. Pommerat et Ph. Boesmans (208-2017) : être, devenir. K. Revue trans-européenne de philosophie et arts, 2020, 5 (2), pp.187-204. ⟨halshs-03212329⟩