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LEONARDO - MIT Press - Vol. 39, No. 1 39, 1 (2005) 44-50
INTERNET ARTWORKS, ARTISTS AND COMPUTER PROGRAMMERS:
SHARING THE CREATIVE PROCESS
Jean-Paul Fourmentraux 1, 2, 3
(2005)

Internet artwork no longer refers to the concept of a finalized object, but rather to a dynamic process, a collective, open and interactive device. Due
to the increasing sophistication of tools, the design of an Internet artwork now requires hybrid skills. The necessary cooperation with computer specialists in order to create suitable programs thus changes the status of the artwork and its author. This paper presents an ethnographic case study of cooperation between a com- puter programmer and an artist. It examines the processes of shared design, negotiated authorship and artwork appropriation. From an analysis of the means of communication, various technical media and “intermediary tools,” the author focuses on role allocation, task sharing and artwork appropriation as the artwork is modified throughout the creative process.
1 :  Institut Marcel Mauss (IMM)
CNRS : UMR8178 – Ecole des Hautes Etudes en Sciences Sociales (EHESS)
2 :  Centre de sociologie de l'innovation (CSI)
CNRS : UMR7120 – Mines ParisTech
3 :  Centre de sociologie du travail et des arts (CESTA)
CNRS : UMR8082 – Ecole des Hautes Etudes en Sciences Sociales (EHESS)
Sciences de l'Homme et Société/Sociologie

Sciences de l'Homme et Société/Art et histoire de l'art

Sciences de l'Homme et Société/Sciences de l'information et de la communication

Sciences de l'Homme et Société/Anthropologie sociale et ethnologie
Internet – artwork – Computer programmers – Creative Process – Sociology of Work – Innovation – Tools – Interfaces – Communication
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