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:. Nationalité and . Britannique,

, Courrier électronique : john.mullen@wanadoo.fr Diplômes Doctorat (nouveau régime) en Civilisation britannique : Le conflit social dans la fonction publique britannique sous les gouvernements Thatcher-Major 1979-1992, sous la direction de Maurice Goldring, Thèse soutenue en juin, 1993.

, François Poirier (Professeur de civilisation britannique, Mention Très honorable. Jury : François Bedarida (historien)

, Directrice : Mme Frison-Prud'homme. Mention obtenue : Assez bien, 1990.

, Directrice : Mme Frison-Prud'homme. Mention obtenue : Très bien, 1986.

, Mention : Très Bien. Bachelor of Arts -à Kings College, Université de Cambridge, juin 1983. Mention obtenue : Upper second Class Honours, 1985.

, the First World War » à paraître dans Quaderna, 2012.

«. Anti and -. Black, British Popular Music 1880-1920 » et Contextes N° 6, 2011.

, « Popular Song in Britain during the Two World Wars ». À paraître dans Littératures, histoire des idées, images, sociétés du monde anglophone

«. La-législation-syndicale-de-thatcher-À-brown, menaces et opportunités pour les syndicats » in Revue Française de Civilisation Britannique, pp.73-86, 2009.

, « Velours rouge et piquets de grève -la grève du music-hall à Londres en, Cahiers victoriens et édouardiens, N° 67, pp.457-472, 1907.

. «-'hope, I die before I get old': Légitimité, identité et authenticité dans la musique populaire britannique, Recherches anglaises et nord-américaines N°, vol.39, pp.201-212, 2006.

, « The Campaign for 'Respectability'in British Music Hall 1880-1920. A Campaign against Anti-social Behaviour ? » in Sarah Pickard (dir.) Antisocial Behaviour in Britain since the 18th Century: sociological and political perspectives, à paraître, 2013.

, « Contestation dans le music-hall britannique 1900-1920. » in Licia Bagini (dir

. Contester-en-chansons, L. Paris, and . 'harmattan, Anthropologie et musiques, 2012.

«. Stéréotypes and . Identités, Irlande et les Irlandais dans le music-hall britannique 1900-1920. » A paraître dans Michel Prum (dir.) Racialisations dans l'aire anglophone, 2012.

. «-l'antiracisme-dans-un-syndicat-britannique-de-fonctionnaires, Race et Corps dans l'aire anglophone sous la direction de Michel Prum, L'Harmattan, pp.179-198, 2008.

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, Si vous étiez la seule fille au monde'-la musique populaire en Grande-Bretagne en 1916 » in 1916 -la Grande Bretagne en guerre sous la direction de Henry Daniels et Nathalie Collé-Bak, pp.279-295, 2007.

«. Major, s Citizens' Charter -Fifteen Years Later, Citoyen ou consommateur ? Les mutations rhétoriques et politiques au Royaume-Uni, sous la direction de Raphaële Espiet-Kilty et Timothy Whitton, pp.33-53, 2006.

, Your benefits office is closed due to industrial action': le conflit social au ministère de la Sécurité sociale 1979, Les Services publics britanniques sous la direction de Gilles Leydier, pp.229-241, 2003.

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, « Les références à la classe sociale dans la presse de l'Inland Revenue Staff Federation » pour Cahiers d'Encrage, 1994.

, « Les femmes au sein du Civil and Public Services Association : dynamique de classe, dynamique de genre » pour Cahiers d'Encrage, 1993.

, Communications à des colloques ou séminaires

. «-l', air et la chanson : regards interdisciplinaires sur un corpus de chansons de la Grande Guerre, 2012.

«. Stéréotypes and . Identités, Irlande et les Irlandais dans le music-hall britannique 1900

«. Hall, Myth and Reality ». Intervention au séminaire Re-appraising the First World War organisé par l'Imperial War Museum à Londres, 2011.

, « The Campaign for 'Respectability'in British Music Hall 1900-1920. A Campaign against Anti-social Behaviour ?

. «-Église-Établie, guerre et chanson pendant la Première Guerre Mondiale. » Intervention au séminaire CIMMA (IMAGER) le 11 février, 2011.

, We are Fred Karno's army'-questions d

, « Protest and Dissent in British Music-hall 1900-1920 ». Intervention aux journées

, « La grève du music-hall à Londres en 1907 ». Intervention au congrès de la SAES sur le thème L'envers du décor à Avignon, pp.11-13, 2007.

, « The cultural legitimacy of British popular music. » Intervention au colloque Modernity -the crisis of value and judgement, 2006.

, Festivals de musique, identité immigrée et intégration. » Intervention au colloque Exils, migrations, création organisé par IMAGER à Créteil, 2006.

«. Légitimité, identité et authenticité dans la musique populaire britannique. » Intervention au colloque international Cultures savantes, cultures populaires à l'Université Marc Bloch, 2005.

«. Major, s Citizens' Charter -Fifteen Years Later, Les mutations rhétoriques et politiques au Royaume-Uni à l'Université, 2005.

, « Le conflit social au ministère de la Sécurité Sociale britannique 1979-2003. » Intervention au colloque Les services publics britanniques à l, 2003.

«. Libertés and . Devoirs-syndicaux-de-thatcher-À-blair,

, « Les femmes dans le Civil and Public Services Association. » Intervention au colloque Femmes et travail, organisé par le département de Sociologie à l'Université de Paris VIII en octobre, 1992.

, « La position de classe des employés des services publics. » Intervention au séminaire CIMOS à l'Université de Paris VIII le 21 mars, 1992.

, « Les grèves des fonctionnaires britanniques dans les années, 1980.

, Thèse de doctorat : « 'Une profession honorable ?' -le conflit social dans la fonction publique britannique sous les gouvernements Thatcher-Major 1979-1992. » Soutenue en juin 1993 à l'Université de Paris VIII sous la direction de Maurice Goldring

, Cross cultural business communication in English (28 pages, 1997.

, Drivers' Notes : English for the drivers of the Bank of France. (35 pages, et cassette audio, 1994.

, Notes (pour les agents de caisse de la Banque de France) (36 pages et cassette audio, Cashiers, 1994.

, English for Wagons-Lits staff (21 pages, Wagons-Lits, 1996.

E. Turgut, Nazim Hikmet, Biography and Poems, 2002.

. Enfin, ai commencé à prendre des contacts dans l'espoir de monter un projet international qui permettrait de comparer les musiques populaires de différents pays impliqués dans la guerre de 14-18

, et membre du Groupe d'Études et de recherches en Anglais de spécialité, 1992.

, Depuis 2011, je suis responsable de la mobilité internationale du département d'Anglais à l'UPEC (Erasmus, échange de lecteurs

. À-l', , 2004.

L. Ma, Je vis en France depuis 1986 et j'ai publié l'essentiel de mes travaux en français. Par ailleurs, je parle et j'écris couramment l'espagnol. Je peux tenir une conversation en allemand et en italien. Nouvelles technologies J'ai une bonne connaissance des logiciels de bureautique, de maquette et de conception de sites Internet, ), et j'ai une page web concernant mes recherches

, Annexe : Proposition d'atelier CRECIB pour congrès de la Société des Anglicistes de l'Enseignement Supérieur, 2013.

, Revisiter l'expérience britannique de la Grande Guerre À l'approche du centenaire

, En Angleterre un groupe d'historiens influents qui ont choisi l'étiquette « révisionnistes » remettent en cause ce qu'ils considèrent comme une vision populiste et pacifiste d'une « guerre inutile ». En France des historiens évaluent de manière très diverse l'enthousiasme du peuple pour la guerre, Certains éléments de l'histoire de cette guerre donnent lieu à des débats politisés

, La commémoration de cet événement a fait surgir aussi des enjeux politiques : en Angleterre lors de la campagne annuelle de commémoration (Poppy Day), les plus grands organisateurs de la campagne soulignent leur intention de soutenir les troupes britanniques partout où elles se trouvent

. L'historiographie-britannique-de-la-grande-guerre-est-immense, Les sources utilisées se sont continuellement élargies : archives diplomatiques, lettres, journaux intimes, cartes postales, mais aussi fouilles archéologiques des champs de bataille, monuments aux morts, archives médicales, photographie et cinéma. Les questions posées aux sources ont également augmenté en nombre : des questions d'identité, de genre, de discours. Enfin, l'expérience du reste de l'empire

, Devant l'impossibilité de couvrir l'ensemble des sujets, l'atelier pourrait se concentrer sur des évolutions récentes dans l'historiographie. La représentation de cette guerre, des expériences « périphériques » (en Afrique par exemple) ou de groupes sociaux moins étudiés constitueraient un bon point de départ

, Il y a quelques années, un numéro de la Revue Française de Civilisation Britannique a été consacré à la Seconde Guerre Mondiale