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Mettre la ville en musique (Paris-Berlin). Quand territoires musicaux, urbains et professionnels évoluent de concert

Abstract : This PhD thesis offers a comparison of music venues in Paris and Berlin. Studying music venues sheds light on the definitions and hierarchisation of musical, urban and professional territories. Diverse music genres are listened to in these venues, and ethnographic observation shows that events happen in many different configurations – audiences are sometimes seated or standing, in large arenas or intimate atmospheres, etc. Statistical methods enable the study of the connection between music styles and the way they are socially appropriated. These musical territories, unequally supported by cultural policies, distinguish themselves from the strict definition of musical genres. The musical subfield is also structured by spatial forces, revealed by the cartography of the music venues in both cities. Their localisation affects the way venues are perceived and defined but, conversely, the music scene also participates in the transformation of representations about the urban territories. Beyond the urban analysis of music, this thesis examines music production through the role of bookers, who select the artists in the venues. In Paris and Berlin, the definition of booking as a territory of competence depends on the musical subfield’s history and is influenced by pressure linked to the increasing economic concentration within the live music market. Interviews with bookers offer material for comparing the cultural intermediaries’ work practices and social trajectories. They illustrate different forms of professional development and uses of disinterestedness in the internationalised activity of booking. Cultural intermediaries and policies participate in the dual structure of the subfields, which reflects the centres and peripheries of the transnational musical field. Indeed, depending on their resources and position in these subfields, venues do not book the same type of artists. Thus, they tend to the local translation of musical value, all the while taking part in Paris’ and Berlin’s positioning as cultural capitals.
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Contributor : Myrtille Picaud Connect in order to contact the contributor
Submitted on : Wednesday, November 21, 2018 - 2:26:32 PM
Last modification on : Friday, April 29, 2022 - 10:12:55 AM
Long-term archiving on: : Friday, February 22, 2019 - 2:30:48 PM


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  • HAL Id : tel-01929852, version 1



Myrtille Picaud. Mettre la ville en musique (Paris-Berlin). Quand territoires musicaux, urbains et professionnels évoluent de concert. Sociologie. Ecole des hautes étude en sciences sociales, 2017. Français. ⟨tel-01929852⟩



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