La série Le Petit Nicolas de René Goscinny (France) et Les Aventures de Madjid de Houchang Morâdi–Kermâni (Iran) : Regards croisés sur deux oeuvres patrimoniales en littérature de la jeunesse

Abstract : Despite a relatively short history, children’s literature has already his classics: a certain number of editorial works constitutes a patrimony which remains vivacious and continues to be read by new generations who nourish and inspire more contemporary productions. The concept “patrimony” has therefore pertinence and a particular definition in the domain of“children’s literature”. That is what is explored from a crossed study of two literary works, one French and the other Persian, which have in common humor and statement in the first person singular: The Little Nicolas of Rene Goscinny and The Adventures of Majid of Houshang Moradi-Kermani. These patrimonial works are considered from a triple point of view: that of their national reception, their broadcasting and their commercial exploitation; that of their aesthetical intrinsic value; that of their reception in different cultures through translation and therefore by their uniqueness and universality.This qualitative research emphasize on French and Persian sources and on a deep study of questionnaires meant to readers and based on the corpus of the two works and their translations. From this perspective, we refer, for the question ofreception, to the works of Ferrier and Louichon, for the creation, to the theories of Maingueneau, Chambers and Chlovski and for the translations, to those of O’Sullivan, Chevrel, Vinay and Darbelnet.
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Bahareh Behdad. La série Le Petit Nicolas de René Goscinny (France) et Les Aventures de Madjid de Houchang Morâdi–Kermâni (Iran) : Regards croisés sur deux oeuvres patrimoniales en littérature de la jeunesse. Littératures. Université du Maine, 2014. Français. ⟨NNT : 2014LEMA3007⟩. ⟨tel-01149618⟩

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