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Communication dans un congrès Année : 2022

Faulty Woolf? Exploring the Fault Lines of Virginia Woolf’s Heritage in the British Culture/Statue Wars

Résumé

In her 1931 essay devoted to Elizabeth Barrett Browning, Virginia Woolf argues “her ‘intention’ survives; the interest of her theory redeems much that is faulty in her practice”. One could wonder to what degree that statement and its reversed alternative – “the interest of her practice redeems much that is faulty in her theory” – apply to the contemporary reception of Virginia Woolf herself. This paper attempted to answer that question by exploring how the fault lines of Woolf’s heritage run alongside the intersectional fractures of gender, class and race that pervade British culture, while focusing on the “statue wars” Woolf was drawn into in February 2022, as Camden council put Woolf’s bust in Tavistock Square under review.
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halshs-03688858, version 1 (06-06-2022)

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  • HAL Id : halshs-03688858 , version 1

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Valérie Favre. Faulty Woolf? Exploring the Fault Lines of Virginia Woolf’s Heritage in the British Culture/Statue Wars. “Failles – Fault & Fault Lines” 61e congrès de la SAES. Atelier SEAC & Nouvelle Anglaise, Vanessa Guignery; Gérald Preher, Jun 2022, Clermont-Ferrand, France. ⟨halshs-03688858⟩
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Dernière date de mise à jour le 07/04/2024
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