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De l’idée du créatif à la production par le collectif

Abstract : How can artefact designers organize the convergence of a routine in practices towards the abstraction they attempted to materialise in the artefact? Based on the ethnographic study of the production of the “premiere” of an opera, we highlight three mechanisms by which they align effective practices with the abstraction encoded in their artefact. Our results complement our knowledge on creative organisations by illuminating how stage managers, designers of the promptbook, succeed to reveal the artistic spirit of an original work instilled by a stage director. They also enrich our understanding of the role of artefacts and their designers in the dynamics of organizational routines.
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https://halshs.archives-ouvertes.fr/halshs-03401921
Contributor : Camille de Bovis Connect in order to contact the contributor
Submitted on : Monday, October 25, 2021 - 2:48:40 PM
Last modification on : Thursday, February 17, 2022 - 12:18:04 PM

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Camille M. de Bovis, Caroline Hussler, Anne-Sophie Barbe. De l’idée du créatif à la production par le collectif. Revue Française de Gestion, Lavoisier, 2021, 47 (296), pp.165-191. ⟨10.3166/rfg.2021.00527⟩. ⟨halshs-03401921⟩

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