Prototypes and forms of the provocation and the innovation in the prism of the gender from the ideology of the body to the creative commitment

Jean-Marie Seca (1)

1 2L2S - Laboratoire Lorrain de Sciences Sociales

The general question in debate, in this communication, is the understanding of the dilemma between the expressivity of the body versus the intellectualization of the artwork. The innovation is a cognitive and social activity: to reach an originality and an expressivity means to have a mind construction of an owner device and repertoire including the past models and influences (Seca, 2001, 2008). First, why to link all the creative activity to the identity obsession? What is the matter for an emergent musician? His or her sex status? His or her minority membership? Secondly, what are the reasons of the reproduction of many aesthetic provocative models? Can we consider, for example, the punk provocation as an easy-packaging rebellion? Are the research of incomparability (Lemaine et Kastersztein, 1972) a regular method of the amateurs in order to be creative?

Mots clés: Research of social visibility; expressivity; provocation; underground electro-amplified music; social comparison; fetichism

Domaines: Sciences de l'Homme et Société

Jean-Marie Seca. Prototypes and forms of the provocation and the innovation in the prism of the gender from the ideology of the body to the creative commitment. Colloque franco-allemand, Programme de formation du CIERA: L’évolution des carriers des compositrices et interprètes du XIXe au XXIe siècle, en France et en Allemagne: approche analytiques, sociologiques et historiques, GEEM/IREMUS/ Université de Paris-I; CIERA; CREM: Université de Paris-VIII, Dec 2017, Paris, France. ⟨halshs-02967448⟩