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Schelling et l’architecture : de l’identité absolue au biomimétisme

Abstract : This article examines the meaning of architecture in Schelling's philosophy around 1802/05. It shows how the philosopher undermines the thesis of architecture-art as an imitation of simple construction; and how he eventually defines architectural art by its capacity to display, in the inorganic, allegories of the organic. Finally, we illustrate several levels of understanding of this characterization; examples are taken from Schelling on the one hand, and on the other hand among some recent bio-inspired architectural buildings.
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Contributor : Mildred Galland-Szymkowiak <>
Submitted on : Monday, August 17, 2020 - 3:40:13 PM
Last modification on : Monday, February 22, 2021 - 12:48:02 PM


  • HAL Id : halshs-02916247, version 1



Mildred Galland-Szymkowiak. Schelling et l’architecture : de l’identité absolue au biomimétisme. Archives de Philosophie, Centre Sèvres, 2020, 83 (2), pp.105-124. ⟨halshs-02916247⟩



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