M. Atkinson, Pretty in Ink: Conformity, Resistance, and Negotiation in Women's Tattooing, pp.219-235, 2002.

J. Austin, How to Do Things with Words, Urmson, 1962.

Q. Bell, Virginia Woolf: A Biography, 2 vols, 1972.

, Virginia Woolf and Colette, Be.tattoo, 2019.

. Instagram, , 2019.

T. Bennett, Past Beyond Memory. Evolution, Museum, Colonialism, 2004.

M. Bey, Epistemology of Ink: an Unholy Trinity; or, Atheism, Feminism and Blackness, Feminist Review, vol.110, pp.75-78, 2015.

C. Braunberger, Revolting Bodies: The Monster Beauty of Tattooed Women, Feminist Formations, vol.12, pp.1-23, 2000.

A. Brunn, Introduction" in Brunn (dir.), L'Auteur, 2001.

J. Butler, Excitable Speech. A Politics of the Performative, 1997.

C. M. , Mirror in Parchment. The Luttrell Psaulter and the Making of Medieval England, 1998.

R. Carr-archer, Letter to the author, Silver, Virginia Woolf Icon, 1999.

A. Chassagnol, Embodied Stories: Tattoos, Self-Identity, and Children's Literature, pp.61-76, 2018.

C. Craighead, (Monstrous) Beauty (Myths): The Commodification of Women's Bodies and the Potential for Tattooed Subversion, Agenda: Empowering Women for Gender Equity, vol.25, pp.42-49, 2011.

P. Davison, Museums and the Re-shaping of Memory, Corsane (dir.), Heritage, Museums and Galleries: An Introductory Reader, pp.202-214, 2005.

H. Dudar, The Virginia Woolf Cult, vol.32, pp.32-34, 1982.

. Eyekandi_ink, Author Virginia Woolf, 2019.

C. Grognard, The Tattoo: Graffiti for the Soul, 1994.

E. Hooper-greenhill, Museums and the Shaping of Knowledge, 1992.

E. Kantorowicz, The King's Two Bodies, A Study on Medieval Political Theology, 1957.

M. Kosut, Tattoo Narratives; The Intersection of the Body, Visual Sociology, 15/1, 2000.

B. Latour, La Science en action, 1987.

C. Marie, Portraits d'auteurs : l' écrivain mis en image, The Many Faces of Virginia Woolf, Medusa, Sphinx, Convert, Celebrity, Prophetess, Professional in Post-2010 Iconotextual Narratives by Gazier & Ciccolini, Bechdel, and Gillen & Andrade" in Giudicelli & Marie (dir.), vol.12, 2019.

L. Marin, Toward a Theory of Reading in the Visual Arts: Poussin's The Arcadian Shepherds" in Suleiman & Crosman (dir, The Reader in the Text: Essays on Audience and Interpretation, 1980.

M. Mifflin, Bodies of Subversion. A Secret History of Women and Tattoo, 3 rd, p.Powerhouse, 2013.

S. Neef, Perfor/m/ative Writing: Tattoo, Mark, Signature, Sign Here!, pp.221-236, 2006.

A. Oksanen and J. Turtiainen, A Life Told in Ink: Tattoo Narratives and the Problem of the Self in Late Modern Society, Auto/Biography, vol.13, pp.111-130, 2005.

M. Pointon, Surrounded with Brilliants': Miniature Portraits in Eighteenth-Century England, The Art Bulletin, vol.83, issue.1, pp.48-71, 2001.

S. Riley, A feminist Construction of Body Art as a Harmful Cultural Practice: A Response to Jeffreys, Feminism and Psychology, vol.12, pp.540-585, 2002.

B. R. Silver, Anon' and 'The Reader': Virginia Woolf 's Last Essays, vol.25, 1979.

. ___, Virginia Woolf Icon, 1999.

N. Sullivan, Tattooed Bodies. Subjectivity, Textuality, Ethics, and Pleasure, 2001.

T. D. Tanymadala, This Concept is Based on an Essay?, 2018.

. Webstagram, , 2019.

V. Woolf, Silver, Twentieth Century Literature, vol.25, pp.356-441, 1979.

, The Diary of Virginia Woolf II, _, 1920.

, The Diary of Virginia Woolf III, _, 1925.

, The Diary of Virginia Woolf V, _, 1936.

, The Letters of Virginia Woolf VI, _, 1936.

, Mrs Dalloway, 1925.

, Professions for Women, Collected Essays II, 1966.

, A Room of One's Own, in A Room of One's Own and Three Guineas, _, 1929.

, The Voyage Out, _, 1915.

M. K. Héas and . De-couverture-niko-inko.-l'encrophage, , 2014.