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, If the first generation was marked by a link-lexia structure (links to be clicked on to have access to new lexias), a second generation rose with the advent of much more sophisticated technologies including sounds, (dynamic) images, movements, etc. (for a historical background see Hayles, Writing Machines, DF is fiction whose meaning cannot be dissociated from the digital context that gives birth and support to it
, The protagonist's gender is never clearly mentioned. I'll assume he is a male character
, Having thus distinguished Joseph Andrews from the Productions of Romance Writers on the one hand, and Burlesque Writers on the other, and given some few very short Hints (for I intended no more) of this Species of writing, which I have affirmed to be hitherto unattempted in our Language; I shall leave to my good-natur'd Reader to apply my Piece to my Observations, As mentioned by the author himself commenting on his work in the preface to Joseph Andrews
, Ethos is a discursive effect, not an inherent quality of an orator/writer. 5 "Negative politeness is characterized by self-effacement, formality and restraint, with attention to very restricted aspects of H[earer]'s self-image, centring on his want to be unimpeded. Facethreatening acts are redressed with apologies for interfering or transgressing, with linguistic and nonlinguistic deference, with hedges on the illocutionary force of the act, with impersonalizing mechanisms that give the addressee an 'out', a face-saving line of escape
, I'm using Simpson's definition of 'irony" as the "perception of a conceptual paradox /?/ between two dimensions of the same discursive event
, Sub-definition 1: Irony is a perceived conceptual space between what is asserted and what is meant
, Sub-definition 2: Irony is a perceived mismatch between aspects of encyclopaedic knowledge and situational context (with respect to a particular discursive event). (Simpson, That's not ironic 39)
, Two elements which contribute toward making interactive fiction a challenge for readers are entrapment and the author's taunts. Nothing is quite as frustrating as knowing that you have just permitted yourself to fall into one of the author's traps and experiencing the unmistakable feeling that he is laughing at your expense. Feelings of frustration and humiliation are therefore quite common in one's initial encounter with interactive fiction, and they become important motives in response, impelling her to continue until she has, as it were, tables on the author by ferreting out all of the hidden secrets or conundrum of a given work
, Which means the lexia one gets access to by clicking on "the pub" hyperlink
, That is the different (shifts in) alignment of the participants as determined in the mode and frame of conversation (see Goffman
, Parson Truliber is a greedy clergyman whom Adams asked for money to pay for his inn bill
, For more see Clarkson; DelConte; Gibbons and Macrae; Fludernik; Hantzis; Herman; Hopkins and Perkins; Kacandes; Margolin; Morrissette; Prince; Richardson