Analyse relationnelle d’une scène musicale extrême, le Darah & Maruah movement (Malaisie, Singapour)

Abstract : This communication deals with the Malaysian music scene Darah & Maruah, a neo-Nazi scene of RAC and black metal that appeared in the years 2000. The formalization of the links between musicians and groups in the form of bipartite graphs makes it possible to highlight the most central actors, actors generally invested in multiple ways in this scene. The question of the person in black metal constitutes an obstacle to scientific objectification and prevent precise analysis of individual trajectories.
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https://halshs.archives-ouvertes.fr/halshs-02360137
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Submitted on : Tuesday, November 12, 2019 - 4:35:27 PM
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Laurent Beauguitte, Hugues Pecout. Analyse relationnelle d’une scène musicale extrême, le Darah & Maruah movement (Malaisie, Singapour). Cinquième rencontre Réseaux et histoire, Oct 2019, Rennes, France. ⟨halshs-02360137⟩

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