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A. S. Bierman, In Counterfeit Passion": Cross-Dressing, Transgression, and Fraud in Shakespeare and Middleton, 2013.

V. Comensoli, Play-Making, Domestic Conduct, and the Multiple Plot in The Roaring Girl'. Studies in English Literature 1500-1900, vol.27, pp.249-66, 1987.

D. Cressy, Gender Trouble and Cross-Dressing in Early Modern England', Journal of British Studies, vol.35, pp.438-65, 1996.

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T. Edgar, The lavves resolution of womens rights: or, The lavves provision for woemen, London: Printed by the assigns of John More for John Grove, 1632.

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V. Forman, Marked Angels: Counterfeits, Commodities, and The Roaring Girl'. Renaissance Quarterly, vol.54, pp.1531-60, 2001.

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J. Knowles, The Roaring Girl and Other City Comedies, 2001.

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J. Mikalachki, Gender, Cant, and Cross-talking in The Roaring Girl'. Renaissance Drama, vol.25, pp.119-143, 1994.

J. E. Miller, Women and the Market in The Roaring Girl'. Renaissance and Reformation, vol.14, pp.11-23, 1990.

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B. Palmer and D. M. Up, , 2015.

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K. J. Stage, The Roaring Girl's' London Spaces'. Studies in English Literature 1500-1900, vol.49, pp.417-453, 2009.

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, Cross-dressing as an instrument of transgression was the subject matter of many critical studies dealing with The Roaring Girl, including the following texts: Cressy, 1994.

B. Jonson, The Roaring Girl, Every Man in His Humour (1598), in Knowles, pp.141-224

, The movie reaches its climax when the potential husband advises the main protagonist that if she wants to find someone to love her, she needs to 'man up' -a rather interesting phrase