H. E. Hugo, The Letters of Franz Liszt to Marie zu Sayn-Wittgenstein, 1953.

J. Barzun, The Letters of Franz Liszt to Marie zu Sayn-Wittgenstein, The Musical Quarterly, pp.110-125, 1953.

. Barzun, The Letters of Franz Liszt, p.115

. Barzun, Pauline Pocknell started work on a new edition of the French originals of these letters, but unfortunately it was still incomplete at the time of her death in 2006. The task was completed by Malou Haine and the present writer, The Letters of Franz Liszt, vol.115

, Two of his elder brothers figured prominently in Liszt's life: Chlodwig Carl Prince Hohenlohe-Schillingsfürst (1819-1901), who was the German Reichskanzler 1894-1900; and Gustav Adolf Cardinal Prince Hohenlohe-Schillingsfürst (1823-96), whose position in Liszt's biography is now coming under much closer scrutiny than ever before (see Cannata, Constantin Victor Prince Hohenlohe-Schillingsfürst (1828-96) was one of six brothers of the princely family, and became the husband of Princess Marie von Sayn-Wittgenstein on 15 October 1859

. Us-cah, , vol.16

, The most successful of these was the two-volume biography by Peter Raabe, Cotta Verlag) which was published in 1931 and still remains a remarkable work for the depth of its bibliographic detail and musical insight

E. Newman, The Man Liszt: A Study of the Tragi-Comedy of a Soul Divided Against Itself (London: Cassell, 1934.

P. Watt, Ernest Newman's The Man Liszt of 1934: Reading its Freethought Agenda, Context: Journal of Music Research xxxi, pp.193-205, 2006.

L. Ramann, Franz Liszt als Künstler und Mensch, 3 vols. (Leipzig: Breitkopf & Härtel, p.1880

, For more on the Fragezettel that Ramann used in compiling her text, see Rena Charnin Mueller, Franz Liszt and His World, pp.361-424, 2006.

. Newman, The Man Liszt (note 6), xv

. Newman, The Man Liszt (note 6), xvii

R. Wagner, S. Deathridge, T. Dahlhaus, and . Wagner, Understanding the paths along which Wagner's imagination set off is more important than correcting conscious or unconscious inaccuracies. Yet editorial meticulousness is not to be despised: it is only against the background of empirical truth that the 'poetic truth' can be recognized for what it isanother truth and not a distortion that the exegete is at liberty to dismiss, Letters, diaries, autobiography, pp.263-304

. Newman, The Man Liszt

. Regrettably, 12-24), have been challenged for both his musical and literary arguments. See, for example, Rena Mueller, the newest cycle of historiography, it is generally felt that Haraszti, too, did not treat his sources in an appropriately objective manner, pp.5-16, 1936.

, Haraszti's 1937 article, Le Problème Liszt" (Acta Musicologica IX, pp.123-159, 1937.

, questioned the authenticity of Liszt's literary works, declaring them to have been entirely the product of, first Marie d'Agoult, and later of Carolyne Sayn-Wittgenstein. His hypothesis was firmly disputed by Thèrese Marix-Spire (Les Romantiques et la musique, which was followed by the three further publications cited above, vol.668, pp.181-94, 1938.

. Watt, Ernest Newman's The Man Liszt of 1934: Reading its Freethought Agenda

. Watt, Ernest Newman's The Man Liszt of 1934: Reading its Freethought Agenda, 201. Watt uses Nigel Scaife, British Music Criticism in a New Era: Studies in Critical Thought, p.169, 1994.

. Watt, Ernest Newman's The Man Liszt" (note 7); see also André Maurois, Aspects de la biographie, 1928.

. Newman, The Man Liszt, xii-xiii

. Newman, The Man Liszt, p.277

L. Mara, F. Liszts-briefe, L. Herausgegeben-von, and . Mara, vols. Leipzig: Breitkopf & Härtel, vol.8, pp.1893-1905

. Newman, The Man Liszt, p.249

, 25 The inventory and the connected documents mention 300 iconographical items, AM16, vol.38, issue.8, 1950.

. Edward-neighbor-waters-;-kreisler, . Lopatnikoff, . Medtner, . Moldenhauer, . Rachmaninoff et al., 91) was for 34 years the Assistant Chief of the Music Division of the Library of Congress under Otto Kinkeldey, Carl Engel, and Harold Spivacke, finally rising to Chief in 1972. He retired in 1978. As a musicologist, his principal area of investigation was Liszt and his circle, and he built the Music Division Liszt Collection into an unparalleled American resource of manuscripts, prints, and secondary literature. In the early 1950s, Waters was responsible for bringing to the Music Division a monumental series of donations from the families of major European artists, among them Koussevitsky, 1906.

, last file (without number). The letters mention C. Bertrand Thompson, Montevideo (Uruguay), a protagonist in the history of Liszt private collections which has not yet, as far as the present author knows, called upon the attention of researchers. Mrs. Bliss's further purchases remain an open question and will need further research and special, AM, vol.16, issue.1, 1957.

, Perhaps a detailed inventory or a catalogue will be made after the completion of this article. The author will try, here, to give enough information about the quoted documents so that they can be easily traced

. Granados, He and his wife were lost when the liner on which they were traveling back to Europe, the Sussex, was torpedoed by a German submarine in the English Channel. See David Cannata, pp.207-240, 1916.

W. S. Pratt and C. N. Boyd, The Ernest Schelling Collection, including many letters and memorabilia about his activities and his relations, is held at the University of Maryland. 32 US-CAh, AM, vol.352, issue.4, 1920.

, AM16 (4), file 1 (letter from Mildred Bliss, 1938.

, AM16 (4), vol.1

, On Amalya Prendergast, see the other documents in AM16 (4), files 1 and 2. 37 Letter dated, AM, vol.16, issue.4, 1943.

, AM, vol.15, issue.1

, AM16 (4), vol.5

, AM16 (4), file 1 (letter from Mildred Bliss, 1938.

, Norton's letter, vol.16, 1946.

, AM16 (4), vol.5

, AM16, issue.4, p.23, 1943.

, AM, vol.16, issue.4, 1947.

, As the Houghton papers are still not organized and catalogued, it is, unfortunately, impossible today to go into much more detail in this article and discuss all these negotiations and setbacks, however interesting they are for the light that they shed on Lisztian historiography and on the reception of his life and works in Europe and the United States during the, 1930.

E. Newman, The Musical Times, vol.52, pp.633-672, 1811.

, Letter from Ethel Clark to Amalya Prendergast, vol.16, 1941.

, Letter from Amalya Prendergast to Ethel Clark, vol.16, 1939.

, One of Newman's main views is that Liszt played "roles" during his life

. Letter-from-macmillan, See also the Macmillan letters in the Bliss Papers (Harvard university Archives) HUGFP 76, vol.16, 1947.

, AM16 (4), vol.6

J. Seznec, 1905-1983) was a historian of literature. In 1941 he accepted a position in Romance Languages and Literatures at Harvard University, where he taught until 1949. He then returned to Europe, where he was elected Professor of

, AM16 (4), file 9, unnumbered document, Memorandum regarding the Liszt Letters

J. Braunstein, His studies at the University of Vienna were interrupted by World War I. After the war, he joined the Vienna Symphony and the Vienna State Opera. He earned his doctorate in 1920, and seven years later he published his thesis-a study of Beethoven's "Leonore" Overtures-as his first book, an Austrian born musicologist, teacher and the senior program annotator for the Chamber Music Society of Lincoln Center, vol.104, pp.1892-1984, 1996.

, Howard Hugo Manuscript 1

, AM16, issue.3

, AM16 (4), file 9, unnumbered document, Memorandum regarding the Liszt Letters

, AM16 (4), vol.9

E. N. Waters, review of The Letters of Franz Liszt to Marie zu Sayn-Wittgenstein, NOTES Second Series, vol.10, issue.4, pp.623-647, 1953.

N. Dufetel, Franz Liszt: Eleven Autograph Letters, vol.58, pp.4-46, 2007.