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Documenting acousmatic music interpretation : profiles of discourse across multiple dimensions

Abstract : •Purpose : Extending documentation and analysis frameworks for acousmatic music to performance/interpretation, from an information science point of view, will benefit the transmission and preservation of a repertoire with an idiosyncratic relation to performance and technology. This paper presents the outcome of a qualitative research aiming at providing a conceptual model theorizing the intricate relationships between the multiple dimensions of acousmatic music interpretation. •Design/methodology/approach : The methodology relies on grounded theory. 12 Interviews were conducted over a period of 3 years in France, Québec and Belgium, grounded in theoretical sampling. •Findings : The analysis outcome describes eight dimensions in acousmatic performance, namely: musical; technical; anthropological; psychological; social; cultural; linguistic; and ontological. Discourse profiles are provided in relation to each participant. Theory development led to the distinction between documentation of interpretation as an expertise and as a profession. •Research limitations/implications : Data collection is limited to French-speaking experts, for historical and methodological reasons. •Practical implications : The model stemming from the analysis provides a framework for documentation which will benefit practitioners and organizations dedicated to the dissemination of acousmatic music. The model also provides this community with a tool for characterizing expert discourses about acousmatic performance and identifying content areas to further investigate. From a research point of view, the theorization leads to the specification of new directions and the identification of relevant epistemological frameworks. •Originality/value : This research brings a new vision of acousmatic interpretation, extending the literature on this repertoire’s performance with a more holistic perspective.
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Contributor : François-Xavier Féron <>
Submitted on : Monday, January 7, 2019 - 12:18:49 PM
Last modification on : Monday, July 20, 2020 - 12:33:14 PM

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Guillaume Boutard, François-Xavier Féron. Documenting acousmatic music interpretation : profiles of discourse across multiple dimensions. Journal of Documentation, Emerald, 2019, 75 (1), pp.99-119. ⟨10.1108/JD-03-2018-0037⟩. ⟨halshs-01971749⟩



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