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Présence de l’iconographie musicale dans la Revue de musicologie (1917-2000). : Des balbutiements à l’établissement d’une discipline auxiliaire de la musicologie

Abstract : When the Revue de musicology first issued, musical iconography as a scholarly discipline has already existed in France for several decades. It made its début in the journal in 1923 but was first limited to short notices most of this related to portraits. The visual representation of music would then become the object of more extensive articles on particular works or on musical repertories of interest to the history of the music. Later, and only rarely, methodological and disciplinary studies of musical iconography were published in the Revue. We propose to examine these studies in their French and international contexts, and in view of our current knowledge of the field, in as much as musical iconography has in recent decades acquired a conspicuous identity, by virtue of the issues it has confronted; an institutional existence with its own arenas for research and documentation; and a structured international community in which French scholars have found their rightful place.
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https://halshs.archives-ouvertes.fr/halshs-01941881
Contributor : Florence Gétreau <>
Submitted on : Tuesday, December 11, 2018 - 3:40:48 PM
Last modification on : Monday, October 19, 2020 - 10:54:33 AM
Long-term archiving on: : Tuesday, March 12, 2019 - 12:21:56 PM

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  • HAL Id : halshs-01941881, version 1

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Florence Gétreau. Présence de l’iconographie musicale dans la Revue de musicologie (1917-2000). : Des balbutiements à l’établissement d’une discipline auxiliaire de la musicologie. Revue de musicologie, JSTOR, 2018, Un siècle de musicologie en France. Histoire intellectuelle de la Revue de musicologie., Tome 104. (2018, n° 1-2), pp.661-692. ⟨halshs-01941881⟩

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