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C. Boltanski, Jeudy 1999)-between, the critics of cultural capitalism who are partisans of the critical function of art, and the liberals who are partisans of the social vocation, utility and profitability of art is in Russia very marginal, Boltanski and Chiapello, 1991.

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, supported by The Trust for Mutual Understanding and coordinated by Katerina Gerasimova and Susan Katz. Interviews with directors of cultural institutions in St. Petersburg, with city authorities responsible for culture along with representatives of cultural NGOs in Saint-Petersburg, were conducted by myself during 1998?2003 in the framework of a research project, Problem-oriented interviews with managers of various cultural institutions, public and private, 1993.

, The names of the interviewees are fictional in order to preserve their privacy

, Department of State, the Trust for Mutual Understanding, the Know How Fund (UK), the European Union, the Eurasia Foundation, the Council of Europe, the J. Paul Getty Trust, the Nordic Council, the German Foreign Office, the French Foreign Office, the Dutch foreign ministry, the World Bank, KulturKontakt Austria, the Faberge Arts Foundation, the U.S. National Endowment for the Arts, and the Danish Cultural Institute (Gerasimova and Karchavetz, 2006.

, the Institute for the Professional Development in Culture, The most influential institutions in Russia promoting new approaches to cultural politics and to new methods in arts management are: the Cultural Policy Institute from Moscow

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