From Public Stage to Private Court: The Representation of the King in the Parisian Version of Minato/Cavalli’s Xerse (1660)

Document type :
Conference papers
Complete list of metadatas

https://halshs.archives-ouvertes.fr/halshs-01668870
Contributor : Barbara Nestola <>
Submitted on : Wednesday, December 20, 2017 - 12:39:43 PM
Last modification on : Thursday, September 20, 2018 - 12:06:03 PM

Identifiers

  • HAL Id : halshs-01668870, version 1

Collections

Citation

Barbara Nestola. From Public Stage to Private Court: The Representation of the King in the Parisian Version of Minato/Cavalli’s Xerse (1660). The power of affections: Poetry, Music, and Spectacle in Seventeenth-Century Italian Opera Librettos , Center for Italian Studies and the Music Department of the University of Pennsylvania, Institute for Music of the Fondazione Giorgio Cini in Venice, Italy, Nov 2014, Philadelphia, United States. ⟨halshs-01668870⟩

Share

Metrics

Record views

40