Magis rythmus quam metron: the structure of Seneca's anapaests, and the oral/aural nature of Latin poetry - HAL Accéder directement au contenu
Article dans une revue Symbolae Osloenses Année : 2013

Magis rythmus quam metron: the structure of Seneca's anapaests, and the oral/aural nature of Latin poetry

Résumé

The aim of this contribution is twofold. The empirical focus is the metrical structure of Seneca's anapaestic odes. On the basis of a detailed formal analysis, in which special attention is paid to the delimitation and internal structure of metrical periods, I argue against the dimeter colometry traditionally assumed. This conclusion in turn is based on a second, more methodological claim, namely that in establishing the colometry of an ancient piece of poetry, the modern metrician is only allowed to set apart a given string of metrical elements as a separate metron, colon or period, if this postulated metrical entity could 'aurally' be distinguished as such by the hearer.
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halshs-01527668, version 1 (24-05-2017)

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Lieven Danckaert. Magis rythmus quam metron: the structure of Seneca's anapaests, and the oral/aural nature of Latin poetry. Symbolae Osloenses, 2013, 87 (1), pp.148-217. ⟨10.1080/00397679.2013.842310⟩. ⟨halshs-01527668⟩
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