Aplicación de DStretch-ImageJ a imágenes digitales del arte rupestre de Patagonia (Argentina), Comechingonia Virtual, vol.6, issue.2, pp.152-175, 2012. ,
Algorithm Theoretical Basis Document for Decorrelation Stretch Version 2.2, 1996. ,
Assessment, dissemination and standardization of geometric data recording of archaeological heritage obtained from 3D laser scanning (Pessac 18, Actes du Colloque Virtual Retrospect 2009. Éditions Ausonius (Archéovision , 4), pp.187-193, 2009. ,
Le relevé des oeuvres pariétales paléolithiques, enregistrement et traitement des données, Éditions de la Maison des Sciences de l'Homme, 1987. ,
Documentando el arte rupestre pictórico en Aragón, Jornadas técnicas para la gestión del arte rupestre, Patrimonio Mundial. Parque cultural del Río Vero, Alquézar (Huesca), pp.28-31, 2012. ,
Le cas des lions hermaphrodites, L'Anthropologie, vol.1623, pp.609-611, 1992. ,
The data explosion: tackling the taboo of automatic feature recognition in airborne survey data, Antiquity, vol.46, issue.341, pp.896-905, 2014. ,
DOI : 10.1002/arp.1421
Le sanctuaire secret des bisons : Il y a 14000 ans, 2009. ,
Femmes sans tête, 2011. ,
Documenting and Analyzing Rock Paintings from Torres Strait, NE Australia, with Digital Photography and Cumputer Image Enhancement, 2006. ,
DOI : 10.1179/009346906791071837
A different look: comparative rock-art recording from the Torres Strait using computer enhancement techniques, Aust. Aborig. Stud, vol.1, pp.98-115, 2007. ,
Digital Enhancement of Deteriorated and Superimposed Pigment Art: Methods and Case Studies, A Companion to Rock Art. Blackwell, pp.627-643, 2012. ,
DOI : 10.1002/9781118253892.ch35
The White Lady of the Brandberg, with collaboration of Mary Boyle and DR, E.R. Scherz, 1955. ,
Raison et plaisir, 2002. ,
Digital Image Processing and the Recording of Rock Art, Journal of Archaeological Science, vol.27, issue.9, pp.837-843, 2000. ,
DOI : 10.1006/jasc.1999.0522
Pulizia elettronica (P.E.) di dipinti e graffiti rupestri. Les Cahiers de l'AARS 3, pp.19-21, 1995. ,
Sefar: un parziale inedito del periodo delle " Teste Rotonde " rilevato per mezzo della pulizia elettronica, P.E.). Sahara, vol.9, pp.140-142, 1997. ,
Image processing avec l'ordinateur individuel. Pulizia elettronica (P.E.) d'une peinture rupestre à Zebàn Onà Libanòs?Érythrée, Archeol. Afr.? Saggi Occas, vol.4, pp.19-22, 1998. ,
Ostentazione della virilità: I risultati combinati della Pulizia Elettronica (P.E.) e del rilievo tradizionale applicati a un dipinto di Sefar, Sahara, vol.11, pp.134-136, 1999. ,
2010. I cavalieri della Forra di Paspardo. I dipinti dell'età del Ferro nell'arte rupestre della Valcamonica. Centro Camuno di Studi Preistorici, Capo di Ponte ?http://www.simbolisullaroccia, 2010. ,
Representaciones de Manos Paleolíticas en la Cueva de Maltravieso (Cáceres, España): Tipos, Distribución, Técnicas de Representación y Contexto Cronológico, Am. Indian Rock Art, vol.40, pp.383-440, 2013. ,
Why digital enhancement of rock paintings works: rescaling and saturating colours, Antiquity, vol.12, issue.290, pp.781-792, 2007. ,
DOI : 10.1002/j.1834-4461.1998.tb02697.x
Digital image enhancement for recording rupestrian engravings: applications to an alpine rockshelter, Journal of Archaeological Science, vol.50, pp.31-38, 2014. ,
DOI : 10.1016/j.jas.2014.06.010
URL : https://hal.archives-ouvertes.fr/halshs-01439612
Eye and vision in paleolithic art An Enquiring Mind. Studies in Honor of Alexander Marshack, pp.77-98, 2009. ,
Pattern recognition after image processing of low-contrast images, the case of the Shroud of Turin, Pattern Recognition, vol.46, issue.7, pp.1964-1970, 2013. ,
DOI : 10.1016/j.patcog.2012.12.010
The spiral that vanished: the application of non-contact recording techniques to an elusive rock art motif at Castlerigg stone circle in Cumbria, Journal of Archaeological Science, vol.33, issue.11, pp.33-1580, 2006. ,
DOI : 10.1016/j.jas.2006.02.010
Rock art, perception and the subject/object binary, Rock Art Res, vol.28, issue.1, pp.71-83, 2011. ,
Petroglyphs as Paintings. The application of digital image enhancement to the study of Årsand 1, pp.116-124, 2013. ,
Metodologia: el proceso de obtención de calcos o reproduciones. La Cova dels Cavallas en el barranc de la Valltorta, La Cova dels Cavalls en el Barranc de la Valltorta, pp.75-81, 2002. ,
Les peintures rupestres de l'abri de Tin Taharin (Tassili Edjerit, Algérie). Bull, pp.42-65, 2007. ,
Une nouvelle hypothèse d'étude pour les peintures du Tassili Acacus, périodes des Têtes Rondes, d'inspiration présumée «hallucinée». Actes de l'assemblée annuelle de l'Association des Amis de l'Art Rupestre Saharien, pp.13-15, 1994. ,
Abrigo con arte rupestre de El Tablazo II (Diezma, Granada) Revisión con DStretch de los motivos pintados, Bastetania, vol.1, issue.9, pp.78-81, 2013. ,
Experiencing rock art: a phenomenological investigation of the Barrier Canyon tradition, 2007. ,
Figuring out: Computer aided rock art recording and analysis, Africa Praehistorica, vol.26, 2013. ,
Digital infra-red photography for recording painted rock art, Antiquity, vol.7, issue.313, pp.733-742, 2007. ,
DOI : 10.1006/jasc.1999.0522
The Hidden Meaning of Forms: Methods of Recording Paleolithic Parietal Art, Journal of Archaeological Method and Theory, vol.53, issue.54, pp.48-80, 2007. ,
DOI : 10.1007/s10816-007-9027-3
Enhancement of multispectral thermal infrared images: Decorrelation contrast stretching, Remote Sensing of Environment, vol.42, issue.2, pp.147-155, 1992. ,
DOI : 10.1016/0034-4257(92)90098-5
Color enhancement of highly correlated images. I. Decorrelation and HSI contrast stretches, Remote Sensing of Environment, vol.20, issue.3, pp.209-235, 1986. ,
DOI : 10.1016/0034-4257(86)90044-1
A method to visually rationalise superimposed pigment motifs, Rock Art Research, vol.27, issue.2, pp.131-136, 2010. ,
Interpreting polychrome paintings using DStretch, Rock Art Research, vol.31, issue.1, pp.101-104, 2014. ,
Direct decorrelation stretch technique for RGB colour composition, International Journal of Remote Sensing, vol.3, issue.5, pp.1005-1018, 1996. ,
DOI : 10.1080/01431169608949060
Los procedimientos de recuperación y documentación gráfica en el arte rupestre cubano. Panorama histórico, Cuba Archeológica, vol.3, issue.2, pp.26-41, 2010. ,
Quelques résultats du projet de datation directe et indirecte de l'art rupestre saharien, The Signs of Which Times? Chronological and Palaeoenvironmental Issues in the Rock Art of Northern Africa. Bruxelles: Royal Academy for Overseas Sciences, pp.71-94, 2012. ,
Using Decorrelation Stretch to Enhance Rock Art Images. Paper Presented at American Rock Art Research Association Annual Meeting, 2005. ,
Digitizing the Past: A New Procedure for Faded Rock Painting Photography, Canadian Journal of Archaeology, vol.26, issue.1, pp.25-40, 2002. ,
Digital imaging and the revelation of 'hidden' rock art: Vaalekop Shelter, KwaZulu-Natal. Southern African Humanities, vol.23, pp.56-76, 2011. ,
Multispectral Image Processing For Detail Reconstruction and Enhancement of Maya Murals from La Pasadita, Guatemala, Journal of Archaeological Science, vol.26, issue.11, pp.1391-1407, 1999. ,
DOI : 10.1006/jasc.1999.0415
Prehistory and Rock Art, Handbook of the Kawaiisu. Bakersfield (California). Archaeological Associates of Kern County, pp.67-86, 2010. ,
Wadi Sura?The Cave of Beasts, 2013. ,
Les guerriers de Tazega Mellet (Tassili-n-Azjer. Les Cahiers de l'AARS 12, pp.197-207, 2008. ,
Crack patterns morphology of ancient Chinese wares. The Old Potter's Almanack, pp.1-9, 2013. ,
Intersubjectivity and understanding rock art, Australian Archaeology, vol.51, issue.1, pp.48-53, 2000. ,
DOI : 10.1080/03122417.2000.11681680
À propos de l'art rupestre saharien: lecture et interprétation, Tradition Wallonne, vol.11, pp.209-213, 1994. ,
Perceptions et attentes dans les études d'art rupestre. Les Cahiers de l'AARS 11, pp.113-124, 2007. ,
Datations directes et indirectes des images rupestres en Ahaggar, Tasili-n-Ajjer et Atlas saharien, pp.49-56, 2010. ,
DOI : 10.4000/nda.1002
URL : https://hal.archives-ouvertes.fr/halshs-00696506
Vols de vaches à Christol Cave. Analyse critique d'une image rupestre d'Afrique du Sud, 2009. ,
URL : https://hal.archives-ouvertes.fr/halshs-00696482
DStretch s et l'amélioration des images numériques: applications à l'archéologie des images rupestres. Les Cahiers de l, AARS, vol.16, pp.177-198, 2013. ,
Du Sahara au Nil. Peintures et gravures d'avant les Pharaons, Préface de Nicolas Grimal. Édition numérique revue et augmentée . Soleb, 2013. ,
URL : https://hal.archives-ouvertes.fr/halshs-00696416
Imágenes en la roca: del calco directo a la era digital en el registro gráfico del arte rupestre levantino, CLIO-Arqueológica, vol.25, issue.1, pp.153-190, 2010. ,
Nuevas tecnologías y restitución bidimensional de los paneles levantinos: primeros resultados y valoración crítica del método (Monografías, 1), Actas del III Congreso del Neolítico en la Península Ibérica Instituto Internacional de Investigaciones Prehistóricos de Cantabria, pp.719-728, 2003. ,
Nuevas técnicas applicadas a la documentación gráfica del Arte Levantino: valoración crítica del método tras un década de esperimentación, El arte rupestre del Arco Mediterráneo de la península ibérica. 10 Años en la Lista del Patrimonio Mundial de la UNESCO. Actas del IV Congreso, pp.295-302, 2008. ,
Les relevés d'art préhistorique, L'Art des Cavernes. Atlas des grottes paléolithiques française. Imprimerie nationale, pp.41-51, 1984. ,
Finalité du relevé. In L'art pariétal paléolithique, techniques et méthodes d'étude, Textes réunis par le Groupe de Réflexion sur l'Art Pariétal Paléolithique, Comité des Travaux Historiques et Scientifiques, pp.329-337, 1993. ,
Sur l'utilité du relevé.» In Tassili-n-Ajjer, Peintures préhistoriques du Sahara Central Catalogue de l'exposition Peintures préhistoriques du Sahara Central/Tassili-n-Ajjer organisée par le Musée de Louviers, pp.97-103, 2014. ,
Imagini del Tadjelahin elaborate con il plug-in DStretch. Les Cahiers de l'AARS 12, pp.233-248, 2008. ,
Application of digital image enhancement in rock art recording, Am. Indian Rock Art, vol.28, pp.121-128, 2002. ,
Computer-assisted photographic documentation of rock art. Coalition CSIC Thematic Network on Cultural Heritage, Electron. Newslett, vol.11, pp.10-14, 2006. ,
Using super-high resolution panoramas (Gigapans) to document and study rock art panels, Bull. Soc. Préhist. Ariège-Pyrénées, pp.65-66, 2011. ,
Kula Rock-Art Site, Dauan Island, Torres Strait, Memoirs of the Queensland Museum. Cultural Heritage Series, vol.3, issue.1, pp.227-256, 2004. ,
OSL dating of quaternary deposits associated with the parietal art of the Tassili-n-Ajjer plateau (Central Sahara), Quaternary Geochronology, vol.10, pp.367-373, 2012. ,
DOI : 10.1016/j.quageo.2011.11.010
URL : https://hal.archives-ouvertes.fr/halshs-00696531
Sight and brain: an introduction to the visually misleading images, Proceedings of the International Workshop on the Scientific Approach to the Acheiropoietos Images, 2010. ,
T??cnicas digitales para la elaboraci??n de calcos de arte rupestre, Trabajos de Prehistoria, vol.55, issue.1, pp.155-169, 1998. ,
DOI : 10.3989/tp.1998.v55.i1.323
A simple methodology for recording petroglyphs using low-cost digital image correlation photogrammetry and consumer-grade digital cameras, Journal of Archaeological Science, vol.37, issue.12, pp.3158-3169, 2010. ,
DOI : 10.1016/j.jas.2010.07.017
L'art pal??olithique : tradition et modernit??, Bulletin de la Soci??t?? pr??historique fran??aise, vol.95, issue.1, pp.17-22, 1998. ,
DOI : 10.3406/bspf.1998.10732
L'oeuvre d'art et ses significations, Essais sur les arts, Gallimard, 1999. ,
Au coeur des premières manifestations graphiques du Paléolithique supérieur: Nouvelles découvertes dans la grotte des Bernoux (Dordogne), Bull. Soc. Préhist. Fr, issue.3, pp.111-413, 2014. ,
Extensión DStretch del software Image-J. Avance de resultados en el Arte Rupestre de la Región de Murcia, Cuad. Arte Rupestre, vol.5, pp.14-47, 2010. ,
Electronic drawing or manual drawing? Experiences from work with rock-paintings (British Archaeological Reports, International Series, 844), Computer Applications and Quantitative Methods in Archaeology: Proceedings of the Fourth Meeting, pp.59-79, 1999. ,
Signes, parois, espaces. Modalités d'expression dans le Paléolithique supérieur ouest-européen, pp.65-66, 1941. ,
L'arte parietale dell'ipogeo di Chercos (Usini) Ricostruire il passato. Una ricerca internazionale a S'Elighe Entosu, pp.95-105, 2010. ,
Experiencias en la documentación de pintura rupestre utilizando técnicas de análisis de imagen: avances hacia el establecimiento de protocolos de documentación no invasivos, 2010. ,
Laboratory and in situ assays of digital image analysis based protocols for biodeteriorated rock and mural paintings recording, Journal of Archaeological Science, vol.38, issue.10, pp.38-2571, 2011. ,
DOI : 10.1016/j.jas.2011.04.020
Cover Decorrelation stretching as an aid to image interpretation, International Journal of Remote Sensing, vol.8, issue.9, pp.1253-1254, 1987. ,
DOI : 10.1080/01431168708954771
The colours of rock art. Analysis of colour recording and communication systems in rock art research, Journal of Archaeological Science, vol.50, pp.338-349, 2014. ,
DOI : 10.1016/j.jas.2014.06.023
The Application of the Harris Matrix to San Rock Art at Main Caves North, Kwazulu-Natal, The South African Archaeological Bulletin, vol.55, issue.171, pp.60-70, 2000. ,
DOI : 10.2307/3888893
Le più antiche pitture del Sahara. L'arte delle Teste Rotonde, 1994. ,
Propuesta metodológica para el registro del arte rupestre de Galicia, CAPA, vol.23, pp.1-136, 2009. ,
The hidden paintings of Angkor Wat, Antiquity, vol.88, pp.549-565, 2007. ,
Rock painting of roan antelope at Giant's Castle, Kwazulu-Natal. Digging Stick, vol.21, issue.3, p.18, 2004. ,
Subjectivity and the recording of Palaeolithic cave art The Limitation of Archaeological Knowledge, Etudes et Recherches Archéologiques de l'Université de Liège (ERAUL, 49), pp.141-179, 1992. ,