, A Catalogue of Engravers (Strawberry-Hill, 1763), p.92
, The Pilgrim's Progress and the Extremes of the Baptist Mind, pp.128-169, 2006.
, The Face of Bunyan and a Great Literary Forgery, pp.115-125, 1945.
, Illustrations of The Pilgrim's Progress
, His Life, Times and Work, second edn revSome Illustrators of The Pilgrim's Progress (Part I): John Bunyan', The Library, fourth ser and 'The Portraiture of John Bunyan Dark Figures in the Desired Country: Blake's Illustrations to The Pilgrim's Progress, Baptist Quarterly, vol.439, issue.11, pp.1628-1688, 1928.
, La destinée éditoriale et iconographique de The Pilgrim's Progress de John Bunyan, de 1678 à 1850: les enjeux d'une mise en images' (unpublished doctoral thesis, University of Nancy 2, 2002) and her 'The Role of Illustrations in the Reception of The Pilgrim's Progress', in Reception, Appropriation, Recollection: Bunyan's Pilgrim's Progress, pp.81-97, 2007.
, See also Anne Dunan-Page, 'Posthumous Bunyan: Early lives and the Development of the Canon, The Miscellaneous Works of John Bunyan, 13 vols The Cambridge Companion to John Bunyan, pp.453-60, 1976.
, The Publisher of The Pilgrim's Progress, The Library, fourth ser); Beth Lynch, 'Mr. Smirke and " Mr Filth " : A Bibliographic Case Study in Nonconformist Printing', The Library, seventh ser, pp.257-94, 1934.
, A1 r , taken from British Library copy C.37.f.24. For a study of the early editions, see The Pilgrim's Progress, p.pp. xxxvi?cxi, 1960.
, A Lawsuit as to an Early Edition of " The Pilgrim's Progress The Library, third ser Nathaniel Ponder, and the Financing of The Pilgrim's Progress', The Library, seventh ser, pp.60-69, 1914.
, Engraved Portrait Heads and the Rise of Extra-illustration: the Eton Correspondence of the 1?161; see also her Oxford DNB entry for James Granger. 12 See the list of 19 portraits in Freeman O'Donoghue, Catalogue of Engraved British Portraits preserved in the Department of Prints and Drawings in the British Museum, pp.1769-1774, 2004.
, Jonathan Spilsbury engraved the portrait c.1763. The fifth edition supplements this list with 'J. Staid''s engraving of the Sadler portrait (1782), perhaps a misprint for Haid; A Biographical History of England, The Sadler portrait was in fact first engraved by Simpson in 1767, pp.6-97
, Catalogue of Engraved British Portraits (London, 1793), p. 179. Bunyan now appears in the section on 'inferior clergy'. 17 Harrison, pp.337-379
, 31.C.52. See also Notes and Queries, second ser 21 This 'drawn by Derby' and 'engraved by W. Holl' serves as the frontispiece to Bernard Barton, Illustrations of The Pilgrim's Progress. 22 Brown, John Bunyan, p. 413. 23 Notes and Queries, seventh ser I owe these references to Harrison, 'Portraiture' and Potter's scrapbook, Notes and Queries, twelfth ser, vol.12, issue.9, pp.216-508, 1861.
, Catalogue of Seventeenth-Century Portraits in the National Portrait Gallery Earlier owners were Henry Stimson (as indicated on the engraving of the portrait by Simpson for the 1767 folio prefaced by George Whitefield) and Lord Kilcoursie, pp.413-1625, 1775.
, The History of Portrait Miniatures, pp.2-46, 1904.
, 31 The Works of that Eminent Servant of Christ, Mr 1692), p. 868. 32 'Lines on Seeing the Portrait of John Bunyan, engraved for this work', The Pilgrim's Progress 1830), pp. ci?cii. Reviews of the edition were written by Scott and Macaulay. On these, see David Walker, 'Bunyan's Reception in the Romantic Period, John Bunyan, pp.458-507
, John Bunyan's A Confession of my Faith and Restoration Anabaptism, Prose Studies, pp.297-325, 2002.
, The Organizational Response of Nonconformity to Repression and Indulgence: The Case of Bedfordshire, Church History, vol.44, issue.04, pp.472-84, 1975.
DOI : 10.2307/3163826
, Reading the Bibliographical Codes: Bunyan's Publication in Folio, pp.59-77, 2002.
, Anecdotes of Painting in England, rev. and suppl On Vertue and engravings, see Martin Myrone, 'Graphic antiquarianism in eighteenth-century Britain: the career and reputation of George Vertue (1684? 1756)', in Producing the Past: Aspects of Antiquarian Culture and Practice, 1862), III, pp.3-947, 1999.
, The Print in Stuart Britain, pp.1683-1689, 1998.
, The English Print, pp.1688-1802, 1997.
, White had engraved L'Estrange (after Geoffrey Kneller) and White and L'Estrange might have communicated side by side in their parish of St Giles-in-the Fields. For full biographical information, see Anthony Griffiths, DNB and Print in Stuart Britain, p.203, 1684.
, Aspects of Miniature Painting. Its Origins and Development (Copenhagen: Ejnar Munksgaard, 1953), pp. 107, 110. 45 Williamson, History of Portrait Miniatures, p. 58. 46 White is mentioned in Basil S. Long, British Miniaturists working between 1520 and, p.1860, 1929.
, A List Alphabetically Arranged of Works of English Miniature Painters of the XVIIth Century, pp.1914-1916
, History of Portrait Miniatures; and Daphne Foskett, Miniatures: Dictionary and Guide (Woodbridge: Antique Collectors' Club, 1987), but not in, The English Miniature, 1981.
, Limners and picturemakers: new light on the lives of miniaturists and large-scale portrait-painters working in London in the sixteenth and seventeenth centuries, pp.47-60, 1952.
, Dictionary of Painters of Miniatures The English Miniature, p. 166; Daphne Foskett, A Dictionary of British Miniature Painters (London: Faber, 1972) and her Miniatures The most extended account is C. F. Bell and Rachel Poole, Seventeenth- Century Portrait Drawings in Oxford Collections, Part II, pp.155-162, 1926.
, English Seventeenth-Century Portrait Drawings, p.53
, and his Samuel Cooper and the English Miniature Painters of the XVII Century, pp.155-162, 1914.
, The Welbeck Abbey Miniatures belonging to his Grace the Duke of Portland
, Catalogue of Drawings by British Artists, pp.1898-1904, 1960.
, English Seventeenth-Century Portrait DrawingsWhat distinguished him was his admirable success in likenesses, a merit that would give value to his prints, though they were not so well performed...Vertue thought [the drawings] superior to the prints', pp.55-92
, English Seventeenth-Century Portrait Drawings in Oxford Collections, pp.1-18, 1915.
, Drawing in England from Hilliard to Hogarth, p.180, 1987.
, 69 Brown, John Bunyan, p. 441, mentions that this edition has only the sleeping portrait and Faithful's martyrdom. The seventh has a 'new but poor' portrait. 70 On Sturt, see Richard Sharp's entry in the Oxford DNB. 71 White was not a complete stranger to allegorical engravings, having prepared both the frontispiece of Historia et Antiquitates Universitatis Oxoniensis (Oxford, 1674) and the splendid Oxford Almanack the same year, and yet these highly elaborate compositions bear little resemblances to the simplicity of his sleeping portrait; see Helen Mary Petter, Libraries in Europe between the Fourteenth and Eighteenth Centuries, pp.52-80, 1974.
, The Life and Errors of John Dunton, 1705), p. 346. 73 Ibid, pp.346-353