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"Peirols si fo uns paubres cavalliers": lire les troubadours dans les chansonniers A, I et K

Abstract : The article aims to explore the role assigned to vidas and miniatures by the project of which the Occitan ― but of Venetic, or even Venetian origin ― chansonniers A, I and K keep trace, by their structuration, and by the phenomenon of reception and reinterpretation of the Occitan lyric of which these manuscripts give testimony. Based on a serial analysis of these " biographies " and " portraits ", done through the building of a database and several statistical tests (notably factor analyses), the article offers a serial interpretation of the vidas and miniatures ― founded on the social status of each troubadour, as mentionned in the biography ― in order to describe and analyse both the vocabulary of the text and of the picture, to bring out the way these manuscripts seek to establish an interpretation of the lyric texts builded around the attribution of an authorial status to the troubadours.
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Contributor : Jean-Baptiste Camps <>
Submitted on : Tuesday, May 21, 2013 - 10:40:23 AM
Last modification on : Wednesday, December 9, 2020 - 3:05:20 PM
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  • HAL Id : halshs-00781515, version 1


Jean-Baptiste Camps. "Peirols si fo uns paubres cavalliers": lire les troubadours dans les chansonniers A, I et K. Medioevo Romanzo, Società per il Medioevo romanzo, 2012, 36 (2), pp.310-347. ⟨halshs-00781515⟩



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