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Deux transpositions de Marivaux au cinéma : Notes sur La Fausse Suivante (Jacquot, 2000) et Triumph of Love (Peploe, 2001)

María Teresa Ramos Gómez 1
1 Pragmática en Lingüística y Literatura Francesas
Departamento de Filología Francesa y Alemana
Abstract : Plays adapted for movies allow us to reflect on the relationship between theatre and cinema, and raise the eternal issue of the adaptation. If we compare two very different films, produced from two Marivaux's comedies, The False Servant (by Benoît Jacquot in 2000) and Triumph of Love (by Clare Peploe in 2001), we can analyse the sense and coherence of the screen version, in terms of fidelity, ethics and aesthetics. Do we find in these films Marivaux's authenticity and wit? Does the result correspond to Marivaux's thinking, is it faithful to his ethics and to the features of his theatre, and more specifically, to his concept of representation? Are they true screen versions, or filmed theatre? Does the film director think that it is cinema at the service of theatre, or theatre at the service of cinema?
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Submitted on : Thursday, December 15, 2011 - 6:10:43 PM
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María Teresa Ramos Gómez. Deux transpositions de Marivaux au cinéma : Notes sur La Fausse Suivante (Jacquot, 2000) et Triumph of Love (Peploe, 2001). I Congrès Luso-Espagnol d'Études Francophones (APEF & APFUE), Oct 2007, Faro, Portugal. pp.455-468. ⟨halshs-00651865⟩

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