Skip to Main content Skip to Navigation
Journal articles

Immersion et Émergence : qualités et significations des formes sonores urbaines

Abstract : Urban sound-shapes have inner qualities. They are composite (concerning acoustics, architecture and perception) and are oftenly assessed as secondary in opposition with the visual or the fonctionnality. They strongly witness of inter linked processes and belong from a cultural and symbolical aesthetic. At last, they take root in time.
Two registers of complementary meanings frame sound-shapes. On the one hand, every cities are fastened to basic urban by sounds. On the other hand, some territories win their identities with sounds playing across particular spaces of propagation and original signals.
Neither unison nor cacophony, the esthetical mastery of sonic environment needs a differential chronology that takes into account the experimented actions and the lived representations of the inhabitants.
Complete list of metadatas

Cited literature [1 references]  Display  Hide  Download

https://halshs.archives-ouvertes.fr/halshs-00380151
Contributor : Françoise Acquier <>
Submitted on : Thursday, April 30, 2009 - 9:47:31 AM
Last modification on : Monday, April 8, 2019 - 4:44:02 PM
Document(s) archivé(s) le : Thursday, June 10, 2010 - 10:24:58 PM

File

2005_HT_ART_ImmersionEmergence...
Files produced by the author(s)

Identifiers

  • HAL Id : halshs-00380151, version 1

Collections

Citation

Henry Torgue. Immersion et Émergence : qualités et significations des formes sonores urbaines. Espaces et societes (Paris, France), Erès, 2005, Vol. 3 (N°122), 157-167 p. ⟨halshs-00380151⟩

Share

Metrics

Record views

377

Files downloads

175