La catalogación de la iconografía musical en Francia (1936-2006): una perspectiva disciplinar

Abstract : In France, research in musical iconography was not traditionally undertaken along with systematic cataloguing of visual sources. It was not until after the First World War that interest in portraits of musicians, performing arts and concerts from Renaissance to 19th century emerged. Publications on the Modern period and on paintings preserved in museums, especially in the Louvre, do not appear before the very end of the 19th century. André Tessier (1886-1931) is the most prominent figure of the interwar years for iconographical studies in France. His first card index was published by Ratouis de Limay in 1936 in the Revue de musicologie. Albert Pomme de Mirimonde had an international audience thanks to extensive publications, while Geneviève Thibault de Chambure and Jacques Thuillier supported and developped the first official center devoted to musical iconographical documentation (CNRS). Today, the database "Euterpe", administrated by Nicole Lallement at the Institut de recherche sur le patrimoine musical en France, gives a special place to images and details of musical instruments, accessories, attributes, musical notations and special actors. The subject thesaurus is a reworked and translated version of Iconclass.
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https://halshs.archives-ouvertes.fr/halshs-00267968
Contributeur : Florence Gétreau <>
Soumis le : mercredi 23 avril 2008 - 22:55:28
Dernière modification le : vendredi 14 septembre 2018 - 09:56:02
Archivage à long terme le : mardi 28 juin 2011 - 11:15:54

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Florence Gétreau. La catalogación de la iconografía musical en Francia (1936-2006): una perspectiva disciplinar. Boletin de la Asociacion espanola de documentacion musical, 2007, 11, pp.72-78. ⟨halshs-00267968⟩

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