When the mike came on stage, everything changed : The relations between musicians and technicians in live music

Abstract : Since its emergence in the thirties, the sound reinforcement technics underwent considerable changes. By studying the changes, we find a conflict between artists and sound technicians. The author shows how the analysis of emic representations of technology and its matter (the sound) allows to restituate in the field of culture a conflict that at first sight appeared to be a labour conflict of a technical nature.
Complete list of metadatas

https://halshs.archives-ouvertes.fr/halshs-00201643
Contributor : Éliane Daphy <>
Submitted on : Wednesday, January 2, 2008 - 11:30:08 AM
Last modification on : Thursday, January 11, 2018 - 6:14:36 AM
Long-term archiving on : Monday, June 27, 2011 - 5:59:24 PM

Files

ElianeDaphy_halshs00201643_V1....
Files produced by the author(s)

Identifiers

  • HAL Id : halshs-00201643, version 1

Citation

Eliane Daphy. When the mike came on stage, everything changed : The relations between musicians and technicians in live music. Technologia Y Procesos Culturales, Coloquio International, Centro Para La Innovacion Technologia, Universidad Nacional Autonoma De Mexico, Feb 1994, Mexico, Mexico. ⟨halshs-00201643⟩

Share

Metrics

Record views

203

Files downloads

253