A. Schmid-&-françois-laruelle, «. A-mood-for-philosophy-dialogue, and ». Labyrinth?, , vol.19, pp.14-21, 2017.

&. Benoît-maire and . Schmid, « Le sens-sans-signe : Pour une éthique de la création, vol.19, pp.132-139, 2017.

A. Schmid, Les régimes génériques de l'enseignement, vol.11, pp.1-13, 2018.

A. Schmid, The Philosophical Underpinnings of Design Theory, Advancements in the Philosophy of Design, pp.415-430, 2018.
URL : https://hal.archives-ouvertes.fr/hal-00707696

A. Schmid-&-muriel-mambrini-doudet, Maryse Dennes et Liudmila Gogotishvili, ? Dialogue Franco-russe autour de l'oeuvre de François Laruelle et de sa réception en Russie?, 2018.

R. Pfeiffer and B. Maire, with François Laruelle et Anne-Françoise Schmid, 17 min. This video was selectionned for the Nice festival of short films, 2015.

K. Barad, Intra-actions'. Mousse Magazine, interview with Adam Kleinmann, dOCUMENTA (13) Issue, pp.76-81, 2012.

K. Barad, Meeting the Universe Halfway: Realism and Social Constructivism Without Contradiction'. Feminism, Science, and the Philosophy of Science, pp.14-15, 1996.

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R. Gangle, Laruelle and Ordinary Life'. Laruelle and Non-Philosophy, pp.60-80, 2012.

G. Genosko, FÉLIX GUATTARI Towards a, Transdisciplinary Metamethodology'. Angelaki: Journal of the Theoretical Humanities, vol.8, issue.1, 2003.

D. Graham, Two-Way Mirror Punched Steel Hedge Labyrinth'. 1994-96, Walker Art Centre

A. Hitchcock, The Dick Cavett Show, interview with Dick Cavett, pp.5-5, 1972.

A. Jafa, A Series Of Utterly Improbable, Yet Extraordinary Renditions, pp.5-5, 2017.

A. Kaprow, Essays on The Blurring of Art and Life, 1993.

F. Laruelle and J. Ó. Maoilearca, Artistic Experiments with Philosophy: Francois Laruelle in conversation with John Ó Maoilearca'. Realism, Materialism, Art, 2015.

. Mackay, Exposition/Exercise: propositions sur L'Objet Intégratif de l'Art Contemporain, vol.114, 2018.

C. Okeke-agulu, 1 + 1 = 1: the non-constancy of non-philosophical practice'. Laruelle and Non-Philosophy, pp.143-69, 2012.

J. Maoilearca, The Animal Line'. Angelaki: journal of the theoretical humanities, vol.19, pp.23-26, 2014.

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K. Palmer, The Dark Object. Bookworks, 2013.

A. Schmid, Lost Videos as Philosophical Fiction'. Urbanomic, 2016.

A. Schmid, The Madonna on the Craters of the Moon: An Aesthetic Epistemology, 2016.

A. Schmid, Politics of Art: Contemporary Art and the Transition to Post-Democracy, Artworks Akomfrah, vol.21, 2010.

E. Anatsui, Blood of Sweat, aluminium and copper wire, 330 x 280 cm, 2015.

M. Attille, Dreaming Rivers, A Sankofa video made in England, 1988, 30 mins, color video, 1988.

S. Boyce, From Tarzan to Rambo: English Born 'Native' Considers her Relationship to the Constructed/Self Image and her Roots in Reconstruction, acrylic, ball-point pen, 1987.

A. Jafa, Mix 1-3_constantly evolving, video installation, three screens, 2017.

I. Julian, Fantôme Afrique, 17' three-screen projection, 16 mm colour video, 2005.

K. ;. Katembo, U. Subir, and . Regard, Lightjet Print, 60 x 90 cm. Collection of the artist Kiripi Katembo /Courtesy of Galerie MAGNIN-A, Paris and Fondation Cartier pour l'art contemporain press service, 2011.

, Chris and Alain Resnais (1954) Les Statues Meurent Aussi

S. Mcqueen, Caribs' Leap / Western Deep, two videos shown as a three-screen, 2002.

F. Orupabo, Keeping it Together, collage with paper and pins. The Otolith Group (2003-09) Otolith I-III, a three-part video and installation exhibited across two venues, pp.2016-2033

, Lyndsey (2012-16) Nowhere Less Now, wood, cardboard, polystyrene, metal, plaster, HD dual projection, stereo sound on headphones. Sound in collaboration with Pendle Poucher (additional music by David Dhonau), production and animation with Keith Sargent

A. Exhibitions and . Jafa, Yet Extraordinary Renditions, featuring Ming Smith, Frida Orupabo and Missylanyus, A Series of Utterly Improbable, 2017.

, The Place is Here, South London Gallery, 2017.

, The Otolith Group: A Long Time Between Suns, Gasworks, 2009.

, Francois Laruelle's Phenonema and Difference

F. Laruelle, The Generic as Predicate and Constant

N. Hanson, Patterns of Discovery, 1958.

T. Nagel, The Future of Nostalgia, Basic Books, 2001.

P. Dini, M. Iqani, and R. Mansell, The (im)possibility of interdisciplinarity, 2011.