| Centre André Chastel : Laboratoire de recherche en histoire de l'art |  |
| Centre André Chastel : Laboratoire de recherche en histoire de l'art | |
| HAL : halshs-00587556, version 1 |
| Fiche concise |  Récupérer au format |
 |
| 4 notices dans Kings, Qeens, and Courtiers. Art in early Renaissance France, The Art Institute of Chicago, Chicago, 2011 Probably after Jean Hey, known as the Master of Moulins, The Virgin in glory, Moulins c. 1500 ; Style of the Master of the very small Hours of Anne de Bretagne (Jean d'Ypres), Executioner from the Flagellation of Christ, Paris, c. 1500. Paris, Musée national du Moyen Âge ; After a Cartoon by the Master of the very small Hours of Anne de Bretagne (Jean d'Ypres), Carrying of the Cross, Paris c. 1500. Paris, Musée national du Moyen Âge ; Panel of a Monumental Window of the Heavenly Court, Paris c.1500. The Art Institute of Chicago Hérold M. Dans Kings, Qeens, and Courtiers. Art in early Renaissance France, The Art Institute of Chicago (Ed.) (2011) p. 137, 147, 148, 149 - http://halshs.archives-ouvertes.fr/halshs-00587556 |
|
|
|
|
| Titre : | |
4 notices dans Kings, Qeens, and Courtiers. Art in early Renaissance France, The Art Institute of Chicago, Chicago, 2011 Probably after Jean Hey, known as the Master of Moulins, The Virgin in glory, Moulins c. 1500 ; Style of the Master of the very small Hours of Anne de Bretagne (Jean d'Ypres), Executioner from the Flagellation of Christ, Paris, c. 1500. Paris, Musée national du Moyen Âge ; After a Cartoon by the Master of the very small Hours of Anne de Bretagne (Jean d'Ypres), Carrying of the Cross, Paris c. 1500. Paris, Musée national du Moyen Âge ; Panel of a Monumental Window of the Heavenly Court, Paris c.1500. The Art Institute of Chicago | ||||||||||||||
|
||||||||||||||||
| Auteur(s) : | |
Michel Hérold 1 |
||||||||||||||
|
||||||||||||||||
| Laboratoire : | |
|
||||||||||||||
|
||||||||||||||||
| Langue : | |
Anglais | ||||||||||||||
|
||||||||||||||||
| Type de publication : | |
Chapitres d'ouvrages scientifiques | ||||||||||||||
|
||||||||||||||||
| Discipline : | |
Sciences de l'Homme et Société/Art et histoire de l'art | ||||||||||||||
|
||||||||||||||||
| Titre de l'ouvrage : | |
Kings, Qeens, and Courtiers. Art in early Renaissance France | ||||||||||||||
|
||||||||||||||||
| Editeur commercial : | |
The Art Institute of Chicago | ||||||||||||||
|
||||||||||||||||
| Date de publication : | |
2011 | ||||||||||||||
|
||||||||||||||||
| Page : | |
p. 137, 147, 148, 149 | ||||||||||||||
|
||||||||||||||||
| Editeur scientifique : | |
The Art Institute of Chicago | ||||||||||||||
|
||||||||||||||||
| Mots-Clés : | |
vitrail – peinture – France – fin du Moyen Âge | ||||||||||||||
|
||||||||||||||||
| halshs-00587556, version 1 | |
| http://halshs.archives-ouvertes.fr/halshs-00587556 | |
| oai:halshs.archives-ouvertes.fr:halshs-00587556 | |
| Contributeur : Michel Hérold | |
| Soumis le : Mercredi 20 Avril 2011, 17:25:59 | |
| Dernière modification le : Mercredi 20 Avril 2011, 17:25:59 | |
