| Centre André Chastel : Laboratoire de recherche en histoire de l'art |  |
| Centre André Chastel : Laboratoire de recherche en histoire de l'art | |
| HAL: halshs-00587556, version 1 |
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| Kings, Qeens, and Courtiers. Art in early Renaissance France, The Art Institute of Chicago (Ed.) (2011) p. 137, 147, 148, 149 |
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| 4 notices dans Kings, Qeens, and Courtiers. Art in early Renaissance France, The Art Institute of Chicago, Chicago, 2011 Probably after Jean Hey, known as the Master of Moulins, The Virgin in glory, Moulins c. 1500 ; Style of the Master of the very small Hours of Anne de Bretagne (Jean d'Ypres), Executioner from the Flagellation of Christ, Paris, c. 1500. Paris, Musée national du Moyen Âge ; After a Cartoon by the Master of the very small Hours of Anne de Bretagne (Jean d'Ypres), Carrying of the Cross, Paris c. 1500. Paris, Musée national du Moyen Âge ; Panel of a Monumental Window of the Heavenly Court, Paris c.1500. The Art Institute of Chicago |
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| Michel Hérold 1 |
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| 1: | Centre André Chastel : Laboratoire de recherche en histoire de l'art (CACLRPFHAO) |
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CNRS : UMR8150 – MIN CULTURE – Université Paris IV - Paris Sorbonne |
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| Subject | : | Humanities and Social Sciences/Art and art history |
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| vitrail – peinture – France – fin du Moyen Âge |
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| halshs-00587556, version 1 | |
| http://halshs.archives-ouvertes.fr/halshs-00587556 | |
| oai:halshs.archives-ouvertes.fr:halshs-00587556 | |
| From: Michel Hérold | |
| Submitted on: Wednesday, 20 April 2011 17:25:59 | |
| Updated on: Wednesday, 20 April 2011 17:25:59 | |
