Le compositing : l'expérience de la durée et l'émancipation de l'observateur

Guillaume Meigneux (1, 2)

1 AAU - Ambiances architecturales et urbaines
2 CRESSON - Centre de recherche sur l'espace sonore et l'environnement urbain

We present here a set of experimental video produced in different artistic contexts. Each of these videos questions, by using the compositing, the relationship between a specific space and practices that take place. After a brief introduction defining the technical and theoretical challenges of compositing, this article offers a new interprétation of these productions in terms of architectural and urban atmospheres. We will see how it is possible to interpret the basic intentions of each of these videos in protocols of videographic capture and restitution that can be renewed as part of study and urban design.

Mots clés: analyse sensible; vidéo; image-mouvement; compositing

Domaines: Architecture, aménagement de l'espace; Sociologie

Guillaume Meigneux. Le compositing : l'expérience de la durée et l'émancipation de l'observateur. Ambiances in action / Ambiances en acte(s) - International Congress on Ambiances, Montreal 2012, Sep 2012, Montreal, Canada. pp.105-110. ⟨halshs-00745875⟩